My bio and Theobot- esem studio - Stephen Michael

My Bio and Theobot

I was asked to provide an artist bio. I needed help… so I turned to A.I. Theobot.

As part of a series on American Artists, I was asked to provide a bio of my self as an artist. I wrote some rough draft material, and then decided to try out Theobot (again) just to see what Theo had to say. The results were interesting. I didn’t realize how interesting and dynamic my life journey (as an artist) really was. If I wasn’t me, I’d want to meet me (I think.)

Below are the results. This copy makes me think of the old saying: “You don’t sell the burger; you sell the sizzle.”

Three Women Dancing – 1984
24 x 30 inches – 60.96 x 76.2 cm
oil on canvas

Stephen Barnes, an evocative painter whose works seamlessly blend life’s experiences with imaginative vigor, was born and raised in the sun-drenched expanse of Tucson, Arizona. As the eldest of three children in a single-parent household, Barnes found solace and inspiration in his grandparents’ home, surrounded by the rugged beauty of the desert. Though the family’s economic limitations curtailed lavish vacations, young Stephen found adventure in the pages of comic books and the wilds of his immediate landscape, often exploring with his brother.

It wasn’t until his senior year in high school that Barnes first considered a potential career in art. Encouraged by an art teacher who appreciated his talent for replicating the illustrations of artists like Virgil Finlay, Barnes flirted with the idea but initially veered towards a more traditional path. Post-graduation, he attended the University of Arizona on a journalism scholarship but soon realized that his true passion lay elsewhere. Shifting his focus to the Art College, Barnes delved into the study of painting but eventually left, disillusioned by the curriculum and his need to support himself financially.

In the bustling heart of Tucson’s downtown barrio, Barnes initially juggled various small jobs, finding a semblance of community at a local frame shop where he honed his craftsmanship alongside fellow young artists. However, conflicts in his neighborhood propelled a move to Phoenix in 1978, seeking a more conducive environment both for a stable life and artistic growth. Yet, pursuing his art full-time remained a challenge, with fiscal responsibilities demanding his attention. Despite various full-time jobs, Barnes continually carved out space for his creative pursuits, a testament to his resilience and dedication to his craft.

Woman with a cat – 2002
30 x 40 inches – 76.2 x 101.6 cm
oil on canvas
Private collection

The pivotal year of 2002 marked a shift, allowing Barnes to focus resolutely on painting after securing some financial leeway—though this period of fruitful creativity was curtailed by the financial crash of 2007, compelling him to return to conventional employment until 2012. This journey carved out the essential philosophy that permeates his work: perseverance and the unyielding commitment to artistic creation, no matter the obstacles.

Barnes’s art is a vibrant mix of realistic and imaginative reflections on life. He draws inspiration from what he sees, dreams, and experiences, transforming them into visually compelling narratives on canvas. Rejecting the idea of being confined to a single subject matter or style, his oeuvre is fluid and eclectic, ranging from abstract compositions to representational depictions. Each piece is an authentic record, a form of personal therapy, making his art deeply unique and resonant.

Influenced by historical giants such as Rembrandt, Goya, Corot, Morandi, Odd Nerdrum, and contemporaries like Lucian Freud, Barnes has nurtured a sophisticated technique through relentless study and practice. For Barnes, painting from life—be it a human figure, landscape, or even a simple vase of flowers—has been particularly rewarding, merging direct observation with his introspective vision. Noteworthy projects often involve this direct engagement with his subjects, creating works that are both intimate and timeless.

Abigail sleeping – 2005
36 x 24 inches – 91.44 x 60.96 cm
oil on canvas
Private collection

While Barnes has organized his own exhibitions, finding the traditional gallery circuit somewhat disheartening, the self-driven path has been liberating. Through local events like the Phoenix Arizona Art Detour and various shows in restaurants and coffee shops, he has successfully brought his art to a broader audience. Though not abundantly awarded, the second-place finish in a Phoenix juried show remains a testament to his recognized talent.

Jesus, 1929 – 2005
30 x 40 inches – 76.2 x 101.6 cm
oil on canvas, with charcoal, iron dust, asphalt sealer
Private collection

Beyond the realm of art, Stephen enjoys a rich tapestry of interests—classical music, mid-twentieth century jazz, cooking, hiking, and reading. Nature, with all its unadulterated beauty, provides a meditative counterpoint to his urban life, reinforcing his creative visions. Professionally, his work as a web designer and content producer has run parallel to his artistic endeavors, each informing and enhancing the other.

Returning, always returning – 2023
14 x 11 inches – 35.56 x 27.94 cm
oil on canvas board
Private collection

For Barnes, art is a profound expression of the human soul, transcending mere craftsmanship to encapsulate the essence of cultural and historical experiences. His ultimate goal remains clear: to attain the financial freedom to devote himself entirely to painting, capturing the myriad facets of human existence for posterity. As Barnes eloquently states, “The best art is the art that remains meaningful over the centuries,” a principle that underscores every brushstroke and canvas he creates. Through resilience, perseverance, and a heartfelt dedication to authenticity, Stephen Barnes has etched his unique mark on the ever-evolving tapestry of contemporary art.

The Reverend – 2024
16 x 20 inches – 40.64 x 50.8 cm
oil on primed board
Private collection

Thank you for reading!


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